Drive or no drive? No matter which way you go or how you live your life, someone will have some opinion about it... I like people that just tell me stories about things instead of their opinion. You can capture the same moment but it’ll never be what someone else experienced. Instead of worrying how they experience it, just let them enjoy the moment.
You can enjoy those who are on the same road as you and let the others who aren’t driven by the same impulse do their thing.
Enjoy!
Kisses, m.
There’s No Dance Music in L.A.
(5-6-16)
Lost. I’m lost on the highway and there’s nothing but a voice on the line. She’s been talking for a least a half hour. The woman on the line was calling and hanging up when I answered, so I stopped answering and put her on speaker. She hears me breathing and knows that someone is listening so she keeps talking.
Confessing. Dying. Wallowing.
“Chloe, I’m sorry. I think I’m dying. I love you.”She says it with a conviction that tells me she’s not playing. I can feel you crying for her so I imagine Chloe is a bitch like Felicia to make you disappear. But you don’t.
I released this beautiful voice to the road and decided to follow the setting sun because there’s nothing on the radio. I turned it off when the girl blowing me at the airport announced that “there’s no dance music in L.A.” and decided she wasn’t hungry anymore. I told her I wasn’t a DJ but she wasn’t amused about my being a musician so she climbed in the backseat for a nap after telling me to find Sunset.
Somewhere on Sunset the lines on the road start to merge and the buildings around me are taller than I thought they’d be. I need a hit. But I keep driving.
“There’s nothing like driving in L.A. to teach you patience,” Wayne said to me when we were stuck in traffic on the 405. It’s the only last real memory of Wayne that I can conjure up without thinking of the violence.
Violence breaks the silence when the girl in the backseat starts screaming. I think she’s hurt or something but she’s just dreaming. This girl is dreaming of the terrible things that will come to take her away from living while the one on the phone is begging for something terrible to make her stop living
Walking into the house is like a dream. Wayne isn’t playing when he says, “time’s up” and goes over to the bar in his study. He’s making a Cognac on the rocks when Gina sits me down with a push of her hands on my shoulders. I’m not sober and you fucking left again. I can see the skull of that man Wayne “handled” last year. It was an “accident” but not the kind where people walk away. It’s something of reminder that Wayne keeps when people piss him off. He leaves it out on the table with all the implications that remain with it. It implies nothing but betrayal between best friends and love for your enemies. Somehow I can’t stop staring at the skull while I take a hit my brain starts to wander...
“Alas, Poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred…”
The dialogue of Shakespeare snaps into my brain bringing with it the sharp and quick sting of a dagger being shoved through my skin. I can feel the memory of words crawl backwards within and there’s nothing I can do because I’m losing my mind without you. It’s nothing like I thought it would be like. You’re not here and I’m all alone. Just like that girl on the phone was when she was dying with her tears looking for her lover, Chloe and all this is happening. Happening. Happening when I look at the skull on the table. I can’t help but feel the pain of knowing that I didn’t know anyone. Not truly the way that man knew Yorick. He knew him and there’s nothing and no one that I can speak the same for. It’s like watching my body leave me behind and I no longer want another hit. I just wanted you gone. And now I’m alone.
I think of getting up and leaving the room and maybe I do because I feel like everyone is gone and I just wanted you gone because all you think about is her. I finally move because that fucking skull won’t stop reminding me of dying or losing you.
“Where are you going?” Gina sings into my ear and I keep thinking I said something or that she’s reading my mind when the thought of finding you comes back into my head.
“Fucking Adrian, where are you? Look at me! Come back!” Gina’s pissed but you’ve taken off waiting for me to find you again and it’s always like this when things become less than clear.
Clear. The water in the bathtub is clear when I get in. Jemma watches me as I get into the water. I’m naked and I wonder as she’s still looking if she’s thinking that we’re sleeping together. I don’t want to sleep with Jemma. But I don’t stop her from getting into the tub with me.
“Adrian…”
“Don’t talk Jemma,” I kiss her and tell her I miss her. It’s not a lie because I know you miss her. This means I miss her too. But I can’t feel that pain of loss. I’m just in the moment holding her. She’s trembling. I wish she wasn’t living this life. It’s hard to watch her stop being herself but it doesn’t matter. She’s in my arms and she’s my Jemina again.
“I love you.” She looks in my eyes and says it before putting her head on my chest. I can feel her warm tears on my skin as she sobs. Between her tears and breathes I want to feel like I’m home but I can’t. I’m lost.
I’m lost.
And I’m at the beginning of the one place I can’t remember being before I decided it didn’t matter if I found you.
The Hollywood sign.
It’s bigger and smaller than it looks and there’s a good chance you’re somewhere dancing with the reds while the bottle of pills stays empty in my pocket. I must have said something out loud because before I can look for another color of candy a voice reaches out into the night.
“That’s not the Hollywood sign,” the stupid spoiled whore in the backseat who won’t blow me or get the fuck out of the rental car says. “You’re parked next to the billboard on Sunset that lights up for the tourists. It’s a fucking eyesore.” The little bitch shuts up and starts snoring again. It’s then I decide I need another car.
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