Backflash

Backflash... Lately, I've been thinking about all the shows I've gotten to see over the years. Mostly because I'm trying to go see a photography show in the next week. If you know me pretty well then you know I've loved art, design, & music for a long time; Graffiti, Photography, Paintings, Sculpture, Tattoo and more. I used to hit up a lot of shows in my downtime which is hard now that I write, photograph and work a day job. With the poaching of my photo clientele/friends I haven't shot much but after wrapping up of a new book of stories and a new series of dresses sketched/painted/sculpted I now have time to adventure again. Yes I'm publishing another short ebook soon! I will tell you more in a later post! 

Here's a couple of shows I was able to see a few years back...

Enjoy!

Kisses, m.

Where oh where? 

5-3-2011

Where oh where could I find myself this week?

Sunday mornings are typically for brunches and discussion. After the morning chitter-chatter of Saturday Night’s events you’ll find yourself running into a person or two from the previous engagement between heading to meet up with the remaining usual characters for some mandatory window shopping before you finally end up visiting the family. However, this Sunday I found myself trekking down the state toward the lovely Los Angeles skyline to see… what else? Art. 

Two galleries in a matter of hours…

Art in the Streets. 

Graffiti in the Streets Gallery. LA. 2011.

Where can you find Keith Haring, Retna, Lee Quinones, Spike Jonze, Banksy, Shepard Fairey, in one place? At the MOCA. Primarily at The Geffen Contemporary at MOCA. Los Angeles’s version of the Modern Art museum is currently housing an exhibition that pays tribute for the rise of graffiti as an art form. This exhibition began its run April 17th and will continue until August 8th. I was informed that this is the first major historical exhibit encompassing street art and graffiti to be held in an American Museum. The focus here is on the origins of the style and how it has changed, evolved and merged with other cultures across the world over the course of time.

The exhibit is astounding and quite breathtaking to any admirer of the art in the street. Not only does the art demonstrate its significance in trends it shows how it has united itself in music, film, television, dance and culture. The overall exhibit remains a bit traditional in the sense of a museum. There are two floors that allow you to take in both the sheer scope of work on a ground level and an above deck level. Beneath the roof there are mock-ups from artists across the globe that chronicles the early beginnings of street art to the where it is now. Amid the visual encompassment of the street art you find yourself among film screenings, lectures, artist discussions related to the main event. 

Upon entrance you find yourself looking directly at two vehicles covered from hood to trunk in painted paraphernalia. They lay straight in the middle of the exhibit. Along corridors you have paintings, sketches, and murals telling the story of their world. There is more to the look by the art of the street and there is so much more to be told from it. The significant story that can be seen by these varying styles is UNITY. Rarely do we see a united cause across any culture except in art. 

Among the maze of rooms and hallways you find yourself immersed in sound as well as visual cues. Along a hallway a bank of mirrors are lined up with sprayed on messages. Upstairs photographic essays tell the tales of the earlier days of streets art. As art goers make their way through the maze of street arts best and brightest they are welcomed to a visual buffet. Some portions are complete homage to the street scene including alley ways, shop windows with complete interiors and replicas of vandals in action standing upon cars and ducking beneath trees. You can turn a corner to find yourself in a dark alley tagged complete with false front buildings, sleeping homeless man and flickering lights. Several artists came together to create scenes that are spread throughout the gallery. 

Banksy. LA. 2011.

One might ask of the draw or appeal to visit such an exhibition. For me it was simple, I’ve been a strong admirer of street art and graffiti for nearly a decade. Upon hearing that Banksy was a part of this exhibition it became clear that I must attend. Personally I’ve never come face to face with his work and had always wanted to. After missing a gallery in the UK two years ago I’d always pressed that I might someday make the endeavor to see his work in some capacity. The MOCA showing gave me the opportunity to do so. 

For others it almost seems educational if not mandatory that they visit a museum. Our perception of art is based in the knowledge that we have already created everything by traditional means and that is that. This idea seems restrictive. To embrace the beginnings of something new and undisciplined to our mind is to encourage our creative capacity to grow. It might seem biased to say that people neglect to realize how influenced our culture is by something such as graffiti. But they do. It is through our understanding of new art forms that will allow us to grow culturally as a combined people. 

If it’s not your cup of tea to look at the influence of street art on our culture, I encourage you to at least step into a museum to understand the origins of art. Art affects politics, music, dance, television, film and life in more ways than seem relevant to mention. Art is a reflection of the times we live in. 

Life is Not a Fairytale. 

Where can you enjoy a glass of Unicorn tears, play ping pong ala Man Who Fell to Earth with a spaceman, and get a glitter kiss blown to you from a girl trapped across the void of the photographic frame? At the gallery of celebrity photographer Tyler Shields.

Quite frankly, life isn’t a fairytale. And this is the last place you should expect to find one. But don't be surprised if you find so much more than that. 

Life is Not a Fairytale. Tyler Shields. LA. 2011.

The man behind the camera has garnered a reputation for the eccentric with his avant-garde work that borrows influence substantially from pop culture. Much like Willy Wonka opening the gates to his factory, Shields opened the doors on his work and made it public for one day, May 8th minus the need for golden tickets. And much to my own admission I was intrigued and equally excited when the announcement for a public gallery came up as I’ve been an admirer of Shields work for a few years now.

Like many photographers and artists, [among my favorites Avedon, Warhol, LaChapelle] the need to see the work up close is very necessary. You can visit the artist’s website at anytime, www.tylershields.com but to be honest that never comes close to what it’s like to look at the photography in person. However on this particular instance it happened to be more than simply photography on display. Videos, artwork, a bit of performance art, and a blood creation comprised the gallery. 

Entrance is greeted by a spaceman dancing through street along with his own space theme. Once inside you’re looking to the left at a cow in a stall mooing with words EAT ME painted on. Standing next door in another stall is a pile of bright yellow barrels painted with toxic waste symbols. Look head on and lift your eyes to find yourself staring at a giant teddy bear hanging and holding a whip while three lovely masked nudes look down from the wall. The sheer scope and size of the photograph murals are jaw dropping in person. Among the smaller pieces there are a dozen or more large mural sized pieces that fully grab your attention. And of course free with entry limited edition poster prints are handed out like a door prize that you might receive at the Fillmore West after a concert. An idea that is indeed very rockstar as opposed to photographer which speaks for itself.

The Blood Painting. Tyler Shields. LA. 2011.

Move a little more into the scene and you’re greeted by the Pièce de résistance: The Blood Painting. I’ve mentally realized that its a tribute to the artist' friends while watching the “making of” video. It’s truly a love letter to those who donated as it could not be created without their gift of blood. The donators look a bit squeamish as they are drained for art in the video but the piece is given life through their small sacrifice. Although I’m uncertain of the artist’s plans for the piece, it would be nice to see its proceeds go towards a charitable cause.

Should you find yourself thirsty while visiting the factory there are water dispensers complete with bottles of refreshments. One contains Unicorn tears and the other Vampire tears. Have a drink? Pick your poison. Although I doubt either is poison.

As you find yourself winding around the mayhem of imagery there is a ping pong table along with spaceman playing, a room of videos streaming and music that seems as though it never stops. The artist’s taste in music is demonstrated in his video portraits, which on display they run silently with the eeriness of an old film against a metallic wall. The videos are predominantly unreleased material weaved with the usual suspects. Anyone thinking they’ve seen it all. Think again. When you almost want it to end the reel keeps going. I spent in excess of 25 minutes waiting for it to restart. It did not. 

Shields photography is a cohesive collection that is uniformly spread in large across two rooms at the gallery. There are mostly individual pieces on display. The “never before seen” imagery rests alongside the general standards that Shields belts out on his website regularly. However there are a few collections that fit together nicely. Aside from the B/W masked nudes one includes a bizarre Batman, Superman, Catwoman threesome that looks like fun for some on a Saturday night. Another includes a vampire Lindsay Lohan complete with victim and fellow vampire Michael Trevino hanging on the wall above a red lined wooden coffin. Among the pieces that stand out for myself… Zachary Quinto being dragged through the dirt, Lyndsy Fonseca dancing amid a wind farm, the trio of B/W masked ladies (large), Stop Wasting Time (large) and of course Life is Not a Fairytale (large)…  just to name a few.

Overall Shields has created a world that steps beyond the ordinary in his first public gallery. None of which could be possible without the hard work the artist dedicates and the commitment of the people in his photos. A few pieces ask you to entertain the notion that the images can reach out and pull you in. And for the moment you do. You let them tell you their story while you stand in awe. One of my favorite quotes of Shields, “your imagination can only run wild if you let it” and in this instance I think that’s exactly what the artist has done to the best end result.

As an artist slash photographer Shields has definitely made his own mark in the visual world and will now continue to push the envelope with work in television and film. It will be impressive to see what comes next from Tyler Shields. 

My advice? Next time you find the factory open without a golden ticket, go and see for yourself. It won’t be a waste of time. And as long as you aren’t expecting to find a fairytale there you won’t be disappointed.

Needless to say LA was lovely and Sunday was a fun-fun day, in a manner of speaking. My eyebrows are raised thinking… Where oh where will I be next?

kisses.

 m.